Technical Publication • Network Audio

Dante Audio Networking Best Practices for Multi-Stage Festivals

Concert mixing desk audio network fiber optic lines connected to switch rack

Introduction: The Shift to Gigabit Audio Infrastructure

Modern festival sound reinforcement relies heavily on Audinate's Dante digital audio protocol. Moving hundreds of channels of uncompressed 24-bit/96kHz audio over standard Ethernet cable reduces cable weight significantly compared to traditional analog multi-cores. However, network misconfigurations can lead to catastrophic audio dropouts or total system silence.

1. Managed Switch Configuration Rules

Unmanaged switches should never be used for critical tour infrastructure. When configuring enterprise managed switches (e.g. Cisco CBS350, Netgear M4250, Luminex GigaCore), enforce the following parameters:

"A single unmanaged switch with Green Ethernet enabled inserted into a festival network can bring down an entire main stage secondary audio trunk."

2. Redundant Topology: Glitch-Free Seamless Switching

Dante supports true hitless redundancy through separate Primary and Secondary physical networks. Ensure that Primary and Secondary network switches run on isolated VLANs or distinct physical hardware stacks. Never cross-connect a Secondary port into a Primary switch interface.

Recommended Buffer & Latency Standards

For festival setups spanning up to 5 switch hops across fiber trunks:

  • FOH to Stage Rack: 1.0 ms Latency setting
  • Broadcast Stream Feeds: 2.0 ms Latency setting
  • Clock Master: Dedicated hardware master clock (e.g., Soundcraft/DigiCo Console master clock or dedicated PTP master)
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